Tag Archives: costume

How to make a BJD corset….

I’ve always enjoyed making corsets for my dolls. Its such a skill to get them to fit just right and the structure perfect. I love making these miniature works of art and thought I would share the process again.
I’ll have a pattern available for download in my etsy shop soon. https://www.etsy.com/shop/AngelRoseCouture

So, let’s go make a BJD corset!
Fabric can be silk, printed cotton, lightweight brocade. Use a light weight stable type of fabric, although we are going to underline it with interfacing. I use a silk taffeta for lining most of the time, but a stiff organdy can be used also. I used a small floral print cotton with a silk taffeta lining and edging.

Cut all corset pieces from your main fabric choice (self fabric), from the lining and the interfacing (I used a woven fusible interfacing). Iron the interfacing to the wrong side of the self fabric pieces.  All seam allowances are 1/4″ wide unless otherwise noted.

Right side together, pin then stitch the side fronts to the front, side backs to the back, and press seams open. Right sides together stitch the front to backs at side seams. Press seams open.  Hint: ease stitch just inside the seam allowance along the edges of the corset front and clip to stitch for better manipulation around the curved part of the side front.

Prepare lining, following the same instructions omitting the interfacing.

At this time, if you would like to, top stitch any seams and add lace and trimming. You can also top stitch to add boning if you like. I did this for the larger BJD corsets.  I edged stitched all the seams on the lining for a cleaner finish inside. Now with right sides together, stitch the lining to the corset at the back seams. Turn right side out and press. Baste raw edges together.

Cut two strips of fabric on the bias, one inch wide and 2 inches longer than the bottom edge of the corset in either self or lining, or contrasting fabric if you like.   Right sides together, pin strips to the top and bottom edges of the corset, you will have extra extending from the edges. Stitch. trim seam allowance to 1/8″.  Press up.
Turn under 1/4″ on raw edges of the strips and fold over the seam allowance. Slip stitch to corset along seamline to encase seam and give a clean edge to the corset. 
See- nice and clean.  From here mark for eyelets for lacing up in back. I used 3/32″ eyelets for MSD and 1/8″ eyelets for 60 cm BJD. Apply eyelets as desired.

Now you can add any other embellishments as desired. I used silk ribbon the lace up the sides and sewed tiny pearls to the front lace. I also added bows, lace to the bottom edge and a crystal charm. 

Any questions, feel free to email me! Have fun creating!

Lori

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Halloween 2011- Creating the Black Swan

The one thing I do each year is create my daughter’s Halloween Costume.  Through the years, she’s been  several princesses-Cinderella, Snow White, Sleeping Beauty(in blue not pink)- a glamorized devil, a couple of fairies, a fairy witch, a witch, the white rabbit,  a 70’s hippie, last year a Gothic rag doll(very cool- I made  the green yarn wig)


This year she decided to be a Black Swan.  We had seen this pattern from SimplicityThat she fell in love with.  So doing what I do-and researching the costume I started creating her Black Swan.

I guess it was a pretty popular costume because I found so many interesting blogs and images of it.  I found tutorials on making the crown (unfortunately we didn’t have time to make one) tutorials on makeup, and images from the movie.

(and no, she hasn’t seen the movie-just the dance sequence ending. I don’t think it is appropriate for her at this moment)

I started with the pattern and the basic corset.   I wasn’t sure if I was going to follow the pattern with trim ideas or go more for the actual costume design from the movie.

I loved the White Swan costume too.

I pinned different trims on the corset to see what she would like- since it is her costume she needed to have some say in the design.  Here is the trim like the pattern.  We had found a really pretty black with silver thread vine like trim with roses and sequins. A feather boa adorns the top.

Sorry for the poor quality pics.  I had taken them really quick with my iPhone.  The lighting is horrible in my hallway too- plus it doesn’t help that my walls are tan.

I wasn’t completely happy with this look- although Maddie (my daughter) liked it.  I felt we needed something a little more sleek in a way.  Well, let me get the skirt done and try something else.

Ok so that was a job.  The tulle skirt was quite a challenge and working with tulle is NOT the easiest thing in the world to do.  I had added an extra layer too, to make it a little fuller, but had eliminated the boning through the bottom of the lining as the pattern called for.  Maddie and I didn’t like the look the boning had gave it.

We also decided on the feather bust, and I had some very pretty Alencon lace trim from a previous project that I was able to cut and use as applique on the bust.  The pic above has the lace trim pinned as well as the felt panels pinned on that I will apply the feathers to later.

So we both preferred this look that is more like the movie costume.  I hand sewed all the lace on as well as the feather panel.  Now to make the feather sides.  I wanted it to be like wings folded close in the shape of it.  We had found a feather wreath at Joann’s that happened to have the perfect feathers to use.  You just can’t find the right feathers in the craft areas and feather trim was just way too expensive- plus we were short on time and didn’t have time to order online.  Wreath was 50% off along with a 15% off coupon- I think it cost less than $17 for more feathers than I needed.  I probably couldn’t have got the trim or the bags of feathers I needed for that amount.

Maddie stripped the feathers off the wreath form and I started gluing them onto the felt bases.  Starting at the bottom I glued one row trimming the top of the feather off.  Then I let it dry.  I didn’t take pics as I was working on it- wish I would have.   After it was dry I did a second row and so on – I think I ended with 3 or 4 rows.

When they were completely dry, I took some black bias tape and sewed it along the top to cover the raw edges of the top layer of feathers.  After it was completed I had two feather side panels- one right and one left.

They were then hand sewn on the under side of the corset.  But not until after we bedazzled the lace with rhinestones.  As much as I would have loved to use real Swarvoski  crystals- time and money wouldn’t allow it.  Plus this was just a Halloween costume.  So we used various sizes of an AB acrylic rhinestone because it looked less fake than the plain clear rhinestones.  We also mixed some black rhinestones in there too. (again poor picture)

So here she is  modeling it with sample makeup to make sure everything is right.  We had gone to a dance shop and were able to get a pair of pointe shoes on sale, purchased pink tights and trunks as well.  I needed to make a flesh colored under shirt so she could wear the costume to school since her school had a costume dress up.

Here is Maddie dressed in her costume for school.  We did a smoky eye for the makeup- Halloween night we did the Black Swan makeup following a tutorial by Michelle Phan

So here is Maddie Halloween night with Black Swan makeup.  Wish we would have had the time to make the crown also- but we found a very pretty tiara for her to wear instead.

And with her BFF Briannah.  They Trick or Treat together every year.  And totally make out with the candy.  This year 4.5 lbs of it!

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Steampunk Couture

Back in July we were given another and one of the last challenges on Couture Doll Shops.  This one was on the current Steampunk craze.  NOw I love Steampunk, and there are so many different genres of it, I had to decide which way to go.  First thoughts would have been using one of my larger BJD’s to model, but I had just got my new OOAK Numina from Paul Pham and really wanted to use her.

Victorian and historical clothing are one of my favorites to design- funny how I never really paid attention to it when I was younger and going to fashion schools. One always appreciates the past as they get older.  I think I am also much more into fashion in a different way than I was back then too.  I can see the influences past and historical fashion has on current designers- although some of the greats (John Galliano, Christian LaCroix, McQueen) are not showing designs at the moment, two being out of work and the last having passed away.

Anyway, I wanted to Victorian influences as the base of my design.  Stay with the true Steampunk origins.  Lots of research of Steampunk went into finding out what Steampunk really was- so many blogs and websites.  It really is quite interesting.

I decided on a a corset, jacket and short skirt with a bustled back.  I didn’t take too many pics while making it but did take some- so here’s how it went.

Making the Corset

Trying to do something a little different than just a corset so I decided to quilt the fabric like I have in some previous designs:

I used my basic corset pattern drafted a while ago but had to fit it to the Numina body.  Muslin sample:

From the fabric stash (since I am trying to use up the fabric I have on hand) here are the fabric choices for a old Victorian feel

Ivor silk brocade, tan and ivory herringbone twill with just a touch of rose stripe, and a rust colored crossdye silk taffeta.

Quilted taffeta for the corset

First I quilted the taffeta then cut out my adjusted pattern pieces diagonally on the fabric.

Because the quilted taffeta has a stabilizer for the quilting I did not need to interface the body but did interface the lining.

Corset taking shape

corset lining in ivory brocade

Finishing the corset up, the top and bottom are banded with bias cut strips and hand sewn on the back.  Antique brass eyelets for lacing are added and the corset it done!  Now onto the skirt.  My time is starting to run out………

Finished corset with banded edges

Corset back with eyelets and lacing

Assembling the Skirt

The skirt I made out of the ivory brocade, a basic mini skirt, and added a drape like the Victorian fashions, in the taffeta.    The train I drafted by hand,  cut it out in muslin to make sure I had the right shape and sewed it up in the taffeta with the brocade lining it.  This I hand sewed on to the back of the skirt.

Skirt with drape

Train ready to be hand sewn onto skirt

The last part was the bustle and this was a little tricky to figure out.  I din’t want something super large and wanted something light enough that could also be removes.  I also wanted to use lace.  The brocade was just too heavy to do a full bustle out of.   Again I drafted a shape out of paper to test it, cut it out of a nylon tulle and sewed layers of pregathered lace onto it.  Finding the right lace at the right width was a challenge,  I liked how it turned out though

the top was banded, then attached using snaps

From here my time was really short and I made the jacket without pictures.  It was lined in the ivory brocade.

A top hat was also made and I’ll add a tutorial for that later.

Love how the photo shoot turned out.

Steampunk Couture

Steampunk Couture can be viewed and purchased at Madeleine Rose Couture

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Romance is in the Air- Part 2

So I finally am able to post the pics now, and give you a little insight to my thought process on this Romance Challenge from the Couture Doll Shops.  The entries were published in the latest FDQ magazine-Romance edition- as well as a link from Couture Doll Shops to a voting page.  Tomorrow we will find out who won the challenge by popular vote.  So wish me luck!!

When we were given the instructions for this latest challenge, I knew I wanted to use my BJD’s rather than the 16″ fashion dolls.  I needed to represent my Angel Rose shop (located in Couture Court in the Couture Doll Shops).  I have done so many challenges using the fashion dolls that my BJD’s were getting neglected.  I also knew I wanted to do something with historical inspiration, because I think the historical dress is so romantic.

First was going through my books on historical detail and fashion, and finding my fabric.  I had quite a bit of off white silk dupioni that I really needed to start using and white/ivory is very romantic and bridal.  But I didn’t want to do a bridal look per-say.  Also, white and ivory seemed very in-fashion at the moment.  I also knew I wanted to do a corset and a full skirt. 

To top it off, a bonnet made of buckram and millinery wire, covered in the matching silk with a pleated under lining and flowers. (I didn’t get a chance to take many pictures while completing this ensemble-hubby was using my camera quite a bit for his stuff) I was actually sewing this hat during one of my daughters volleyball games hoping to get it finished in time.  I’m always completing at the last minute.

bonnet partly completed

under brim pleating

I did get it completed on time and the pics taken in time for the magazine.

Romance challenge entry White Rose

Along with the photos we needed to submit a paragraph explaining what our Romance depicted.  Here’s my little romance story:

A tortured romantic soul-she wanders aimlessly, not knowing when the eras or time begins or ends, as her fashion shows in a mixture of historical styles.

A ghostlike figure forever searching for the one true love she lost….

each picture had a caption to it

A lone figure wanders aimlessly
She pauses…Does she see her one lost love?
She looks longingly at the apparition of the one she lost
A ghostly figure clad in white says goodbye…

At least it was finished for now.  I needed to move on to another challenge that was presented to us on Couture Doll Shops for another magazine and it was a a big challenge.  So of course that will be a post in the fall.  Wish I could give some sneek peeks because I think it turned out great and there’s a bonus tutorial coming with it but you all will just have to wait…..

When that challenge was finished I was able to move on to finish the last component of this one- a jacket.  Taking inspiration from the Regency era, a ruffled front, pouf sleeve jacket emerged  to be worn over the corset.  Also, new pictures needed to be taken since the other ones were done in haste.

I love how this photo shoot turned out

White Rose will be available on my website Angel Rose

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Sharing a commission

I finally finished this commission a few weeks ago. I do hope the new owner enjoys it. Meanwhile please enjoy the pics.

Nouvelle Melodie

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A New Challenge

Now that the CDDC is over, things got a little back to normal. Just a little. I was busy designing and sewing 1920’s style dresses of my daughter’s elementary school play- the Velveteen Rabbit. They turned out cute- I had a lot of fun doing the research.

Aunt Rosemary's dress


My daughter did great in her part as head narrator, and no, she didn’t get to wear one of the dresses, but I had to make vests for her and her 2 co-narrators. (my daughter is the tallest one)

Narrators and Velveteen Rabbit


So now what? Well the CDDC creators have a project- the CDS- Couture Doll Shops- “Welcome to a new concept in couture doll merchandise and services. Couture Doll Shop features high fashion designers as well as other special doll services – all through individual merchants. Here you will find fabulous one of a kind outfits as well as many other items and services in this one convenient location.”

I will have a shop there with Madeleine Rose Couture. I have been busy revamping my website, adding Paypal buttons for shopping ease and streamlined the navigation. I love the new look and feel of it.

So CDS has proposed a challenge to the merchants;A Red Carpet challenge. It won’t be judged (darn! just kidding) but I love a good challenge. I can’t give all the details at the moment(like when all this will take place) but I can share the challenge at the moment. You will all just have to check back with me and the CDS blog to find out more.

The rules:

1. The Challenge
Besides Fashion Week, one of the most important fashion events is a Red Carpet event. Yes, no matter which award is being presented, all eyes are really on the fashions worn at these events! Now is your chance to have many eyes from the doll world on YOUR fashion!! Never underestimate the power of the internet, dahlings! Pull out your best silk, satin, or whatever you think “makes” it on the Red Carpet! You are going to be offering up a NEW item, and you are not going to have a long time to make this item. But you will have as much time as the CDDC designers had for those challenges; it can be done – so no excuses, my pretties!!

2. The Colors
The hot color we’ve seen on the Red Carpet this year, to date, has been purple. And purple is the MAIN theme color for this event. Now don’t go turning up your noses, divas, because there are lots of colors in the purple family – from burgundy to lavender – so there is bound to be one you can adapt to a vision I know is brewing in your delightful design mind! AND, to aid you while still enabling me to line up this collection by color, I’m also going to allow you the use of luscious creams and/or blacks to be used as an auxiliary color. Auxiliary means either/or cream or black; and that either color cannot overpower the base color! Any questions, please email me, because I do NOT want anyone disqualified. Remember, this is for fun and to help us open our shops with a bang!

3. Styling the outfit
ALSO, for this event your model will be untraditionally traditional. I already know each of you has an untraditional style, but I would like you to create the traditional long gown – your models are NOT going to a cocktail party. Let your presentation represent YOU……..but just in a loooooooooooooong version!

There is to be NO JUDGING of your outfit of any kind!! So no inside views, AND if you are an OOAK artist, you may present your item as such – non-removable fashion is the norm in the OOAK venue. If you just sell furniture, trot out a piece; and the same thing goes for shoes, wigs or jewelry. From toddler to high fashion and anything in between – every effort will be made to put YOU, our shop owner, in the spotlight on this particular runway!!

4. What You May Submit
Each of you will see your doll actually “come down the runway” thanks to the magic of our photography specialist; Larraine. She will truly work her magic to put these designs in just the right setting! That is why we have specific guidelines, and pictures that do not meet the criteria will be returned to you, and no one really wants that to happen – so please listen up!!!

Pose your doll or your item to sell it! Use props you feel appropriate ON the doll. I say ON because
props must be shown on the doll or item itself – it cannot be sitting off to the side for us to
properly spotlight it.

You must photograph your doll or item in front of a prop-less, plain (one neutral color)
background!

So am I up for it? You Bet!!

Stay tuned for more……..

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CDDC Challenge 5-On the Red Carpet

Challenge Five: November 1, 2009

Due: November 15, 2009

On the Red CarpetThis week’s guest judge is known for his fabulous gowns. So it seems only fitting that this challenge be all about, On the Red Carpet. Design a fabulous gown for your fabulous model as she walks down the red carpet with the stars.

Guest Judge: Jim Faraone

November 2, 2009
I haven’t even finished challenge four yet and I’m starting to think about challenge 5. Ooh, red carpet. Gowns. My specialty!! I loooove gowns. The glamour, the couture, oh this is going to be fun. Now the question is- what kind of gown?

November 3-Choosing Fabric
I started doing some research on red carpet fashion, and I notice most of the actresses wore slimmer gowns instead of a ballgown. There were a few ballgowns like Dior and vintage Haute Couture designers but for the most part they were slimmer or flowy. Probably more practical. Can you imagine sitting for 3 hours in a huge skirt? Although I love doing ballgowns, I immediately think of this taupe/aqua shot silk taffeta and matching chiffon that I have been wanting to do a dress of. Someone mentioned in the boards about doing their dream gown.

Hmmm. That taupe lace I have that I have been keeping to make such a gown. I pulled it out, and guess what? It matches the taupe silk taffeta and chiffon. The chiffon appears a little more rust but because it is irridescent. It’s actually really beautiful, very different and an odd color. If I can make all of this work, I think it will be a gorgeous gown.

Challenge 5 fabric

Challenge 5 fabric choices

November 4- Choosing the Model

Which doll to use? Sybarites seem so runway and red carpet. I can pose them in such a stance to really show of a gown. And their figure! They really show off. Tonner is nice too. I think about my best girl, Margeaux. Gosh she photographs well, but I hold the fabric up to her and she just doesn’t look good in it. And there isn’t much Margeaux doesn’t look good in.
Margeaux in Asian Beauty
I think maybe Annalise. She can wear this color-she did a great job in the Christian LaCroix gown I did out of the same taffeta.
Annalise in Fleur de Lis
Wish I could use that gown for this challenge. I don’t have it anymore, but gosh did it turn out gorgeous. Now Bebe also modeled that gown and looks pretty good in the color.
Bebe in Fleur de Lis OOAK gown

We’ll draft the pattern for a Syb and it should fit a Tonner as well if I decide to use them. Antoinette might be good too, but I think I want someone a little more dramatic (and with a bustline).

November 6-Designing the Gown
I do more research of the runway and red carpet gowns. Since I decided to use the lace, I need to figure out how I want to use it. It’s actually a vest-a sample piece I bought from where I used to work. It’s paneled with the scallop so I am limited in what I can do with it. I originally was going to do a mermaid type skirt with the scallop on the bottom, so I think I will still go with that idea. I just need to figure out the bodice.

I started drafting out the pattern for the skirt- measuring each scallop and piecing it together so it looks right. A challenge since each panel is pretty much the same length and I want this skirt to train a little. I’m going to have to piece this together in the bodice or back and depending on the bodice I choose, I may have to have a longer bodice of the taffeta or chiffon. I know I want some kind of shirring of the fabric across the bodice, I did play with the idea of an all lace, one sleeved gown as well. I think it looks too common, I need to do something a little different.

Challenge5 skirt

Skirt so far

Challenge5 back panel

Back panel piece in

November 7- Changing my Mind
Such a busy day today. I’m up at 6:30 to get ready to get Maddie to her Campfire garage sale, then to Mizuno volleyball practice then to her parks and rec volleyball game. At least by 2pm we’ll be done.

I’m a thinker, visionary-I am always playing designs in my head, and can’t always get them on paper. So all this time while I am hauling her around I think of bodice designs. When I think of one- then I think of another. When we finally got home I sketched a bunch of different bodice options. Yes I think I know what I am going to do.
While we were at Mizuno I went into the CDDC website from my Blackberry just to see if maybe the scores were posted. Yes they were already up! I thought maybe it was still from last week when I saw Emilia had won again. Drats! Well congrats to her, but I missed it by 1 point!! Am I getting competitive or what? No, actually I am happy for her. I picked out her design and knew immediately I had tough competition. I had such difficulty with that challenge that it doesn’t surprise me. I am surprised the the judges got my design at all.
When I got home I looked over all the scores and judges comments. Then I start to think about what makes one better than another on the criteria of Originality and Creativity? I decide to write to Larraine and see if she can shed a little light on the difference for me. Maybe it can help me and the other designers understand what the judges are looking for.

November 9- Judge’s Criteria
Larraine wrote back to me and said that she would post on the board what she sent to the judges for their judging of Originality and Creativity. Boy was the board active today. Since I found out what the judge’s look for, I change my idea yet again. Red carpet is hard to do an original of because everything has pretty much been done. And when you think of red carpet you think best dressed not worst. I always think Oscars or Emmys, but I guess one could do short, a tuxedo, or something else as long as it’s glamorous? I’m still staying with long and elegant. That is my style and aesthetic. I need to stay true to myself. It’s the little things that will make it different (I hope).

I got the front panel onto the lace for the skirt. I’m happy that it is really blending together well and you really can’t tell it is pieced.

Challenge5 beginning

Close up of front panel pieced in

challenge5 sample

This could be the start of an interesting design?


Please ignore my messy work area. Creative process in the works.

Funny, how as you start to put something together, how other things develop. An all lace halter gown could be interesting. But I think I am still going to stay with what I have planned. I was going to do a one shoulder but after getting that judge’s criteria- I decided it’s too common. Now sleeves aren’t done very often. Everything red carpet is strapless, or like this year, a lot of one shoulder. Hmmmmm….sleeves…

Sleeve ideas

November 13-Finally Underway
The sleeves just weren’t turning out how I imagined. I didn’t go this back and forth on the last challenge. Never have I questioned myself so much on designing as I have while doing this competition. I can see what the contestants go through on Project Runway. When you are being judged on your designs, a whole lot of other elements start to play.

I did a shirred bodice first and wasn’t sure about it. Something just wasn’t right. I don’t know if it’s because I am seeing them all over the place-especially on Tonner dolls. And then I started having problems with the front panel I attached- the silver thread started coming loose and fraying from the lace. So I ended up changing the design again. I now have a taffeta corset underbodice in which I will applique the lace flowers onto and morph them into the lace skirt.

Design sketch

Corset in progress

I need to make this one work because I don’t have the time to change my mind again. I still need to work on the shoes and make a clutch since all the actresses pretty much carry one on the red carpet. I can’t worry anymore about whether I can win or not. I’m creating something beautiful and we’ll just have to take it from there.

November 14-Final Touches
Well, the corset bodice ended up ditched too. For two reasons. One is the chiffon(which is such a @!tch to work with) would not lay right on the hips. It wrinkled too much since it was cut on the bias. Second was the sleeves were too common. Saw them everywhere-on Tonner designs, on the runway, just not original enough. And after reading the criteria again for Originality and Creativity, I decided to do one of my other designs.

Final design decision

Now I am on the final touches. And this is what is so time consuming. I’m making flowers out of organza ribbon and some of the taffeta to sew here and there on the gown. I need to bead some sections- I’m not beading all of it- don’t have the time.

November 17-Pictures Sent In Just In Time
I got my pictures sent in just in time Sunday night. I spent most of the day finishing up- and not without effort. I woke up that morning with a terrible cold- my nose was running, sneezing-ugh I was miserable- and I had a work luncheon to go to. Needless to say I persevered and made it through the day, got my gown finished and sent in.

On the Red Carpet entry

The pictures are up of everyone’s designs. There is some competition again. There’s a red one that is really pretty. I think it is Louos’s. I can tell which one is Emilia’s and Kathi’s too. My husband says the only thing about mine is the color- maybe the red background I used wasn’t the best thing- white might have shown off the color better. It’s so much prettier in person. The color just didn’t photograph that well and I should have kept that in mind more when I started. I just so wanted to use this lace. Well I think I will photograph my fabric choices first form now on- and on different backgrounds to see which will photograph the best. I think that is important in this competition as well.

November 21-The Judge’s Scores
Louos’s won. I knew it would. It is a really pretty gown. Emilia beat me again-this time by.5 which now makes us 2 points apart. Here’s what the judges had to say:

Shane: Theme: 3, Originality: 4, Creativity: 5,
Construction: 5

This fashion has a tremendous amount of potential but it also has several issues that keep it from getting the top score in theme. I absolutely love the colors and the fabrics that you have chosen! The manipulation of the bodice fabric is gorgeous. As far as issues go, I don’t understand why you only chose to bead certain areas. I think this fashion calls for beading throughout the skirt or no beading at all. The floral and bow adornment at the bodice is distracting and only takes away from your beautiful workmanship on the bodice. Finally the sheer lining and lace just would not be acceptable on the red carpet unless your doll is purposefully looking to create a scandal.

Diana & Janet Theme: 5, Originality: 4,
Creativity: 4.5, Construction: 4.5

Diana:
The muted colors are highly effective and give an additional depth to the workmanship of the bodice.

Janet:
You took a simple design and did something interesting with it. Bravo!

Judith: Theme: 5, Originality: 4.5, Creativity: 5
Construction: 5

Gorgeous design in wonderful hues. A perfect cut and fit for this curvaceous model. Stunning cohesive overall vision. My only question would be, is the velvet bow a tad too big for the delicacy of the gown?

Jim Faraone: Theme: 5, Originality: 4, Creativity: 4
Construction: 4

Simple yet elegant

Total Score:71.5

As far as the judges comments, I can see now what they see. I wish I could have beaded the whole gown- it was my intention but time ran out, and I was so sick that day of the final to get pics in I just couldn’t get it all done. Looking in the pics I see about the bow. It’s funny how pictures will show things you don’t see in person. When looking at it in person, the bow doesn’t look too big. Or maybe I just like it larger. Who knows- it’s all personal taste.

This keeps me in second place overall so far. Well, there are still three more challenges left. I’ve learned alot so far, I guess if everything was always perfect, I wouldn’t be learning.

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